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Yamaha HS5

Test & Review

Are you a studio professional or audio engineer looking to equip your studio with a quality powered or bi-amplified speaker? A monitoring speaker that can offer you high-precision sound mixing and audio mastering? Opt for the Yamaha HS 5. It is a 2-way active speaker, full-range model. This amplified and bi-amplified speaker is dedicated to musical production and very precise and correct mixing. Is this the perfect monitoring speaker choice for you? Discover throughout this guide our complete test of this speaker, as well as our opinion on its quality.

Test and review of the Yamaha HS 5

🎤 by Kevin Jung

Summary of the Test 👇

The Yamaha HS 5 is a 2-way active speaker designed to meet monitoring needs in recording studios . With a frequency response of 74 Hz to 24 kHz at -3 dB and 54 Hz to 30 kHz at -10 dB , this speaker provides rich, detailed and high-fidelity sound reproduction.

Its internal amplifier provides a total output power (expressed in Watt RMS) of 70 Watts , i.e. 45 Watts in the bass and 25 Watts in the treble. balanced XLR-3 connectors balanced TRS jack plugs to provide optimal compatibility with existing audio devices.

The use of the Yamaha HS 5 can also be combined with that of a Yamaha HS8S subwoofer , other high-end subwoofers or several other indoor sound speakers. Is this the ideal choice of speaker to complement your studio equipment?

Does the Yamaha HS 5 allow you to monitor the sound in order to optimize its processing for the final mix? This test and review reveals everything!

Yamaha HS5
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Overview of the Yamaha HS 5 speaker

The HS 5 sports a clean and correct design with a very neat finish. Its low-resonance subwoofer offers more precision and accuracy to the sound to be mixed or processed, while its MDF (and therefore more durable compared to polypropylene materials) guarantees good longevity for this studio equipment.

Due to its more or less compact size, the Yamaha HS 5 can be suitable for both large and small rooms. In addition, the Yamaha HS 5 is equipped with a “ Room control ” setting.

Which makes it very effective and easier to configure to attenuate unwanted bass due to a location too close to the walls of a studio for example, even isolated. The speaker also has an active “ HIGH TRIM ” filter to provide more precision and accuracy in the treble response.

The Yamaha HS 5 stands out from other types and models of active speakers in that this powered loudspeaker for sound engineers and studio professionals offers:

  • Precise and detailed reproduction of the sound broadcast through its speakers (monitor, dome tweeter and woofer).
  • A choice of three models of sophisticated full-range speakers plus an external subwoofer (optional and efficient), facilitating the integration of the Yamaha HS 5 into an audio system, an interior sound system and any monitoring environment.
  • A 2-way design for each broadband model unit, ensuring perfect coherence with the units in both high and low frequencies.
  • High-precision control to adjust the frequency response optimally and allow the output of these high-end speakers to be adapted to a variety of acoustic spaces.
  • XLR connectors , plus jack sockets allowing the speaker to be directly connected to various musical instruments and other sound sources.
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This indoor sound pack contains: the pair of Yamaha HS 5 monitoring speakers, a power cable and a dedicated quick start guide.

Yamaha HS 5 speaker: for high-precision sound monitoring

The Yamaha HS 5, like all active speakers in the Yamaha HS series, is designed and designed to offer highly precise sound mixing and . This guarantees sound reproduction faithful to the listening requirements of an audiophile and those of a studio professional.

Designed for close-range monitoring, the HS 5 and all Yamaha HS Series speakers are specifically dedicated to mixing and music production . These speakers provide detailed, refined and high-fidelity audio rendering with a straight response without alteration, distortion or sound distortion.

Special features of Yamaha HS series speakers

The Yamaha HS series powered speakers, including the Yamaha HS 5, differ from other 2-way active speakers such as the Tannoy Gold 5, and PA speakers in that they are specially designed for monitoring. They offer precise and clear sound reproduction.

The Yamaha HS 5, like all Yamaha monitoring speakers in the HS series, displays audio performance that far exceeds that of existing active hi-fi speakers. For these speakers dedicated to the general public, the bass and certain high frequencies are exaggeratedly enhanced to offer a flattering audio rendering likely to deceive the ear.

Yamaha's professional engineers have carefully examined and improved every aspect of these speakers to ensure the best possible listening experience when creating an audio mix and mastering.

The Yamaha HS 5 also has several size variations to provide access to wider audio configuration possibilities . Depending on the listening environment in which you wish to introduce the sound, you can easily choose the most appropriate model.

Yamaha HS 5 review
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A high-performance amplification system

The Yamaha HS 5 and all HS series speakers incorporate an amplification system perfectly matched to their respective internal components. Their bi-amplified design (an amplifier dedicated to the woofer and an amplifier intended for the tweeter) guarantees , high-accuracy sound reproduction .

A very high audio resolution dome tweeter

The Yamaha HS 5, like each Yamaha HS series speaker model, incorporates a high-performance 1-inch dome tweeter . This mini amplified speaker widely extends the frequency range to guarantee very high definition sound reproduction in the treble .

The ingenious design of the tweeter integrated into the HS 5 also makes it very effective in limiting vibrations. With an RMS power rating of 25 Watts , its dome tweeter is capable of , distortion-free sound 30 kHz .

A hyper-reactive Boomer

Regardless of the output level configured, the Bass speakers of the Yamaha HS 5 and those of the other HS series speakers (HS51, HS7, HS7I, HS8, and HS8I) provide very low distortion sound.

This is what differentiates the woofer integrated into the Yamaha SH 5 from an ordinary car subwoofer or a Sub which only grotesquely reproduces the frequencies which are at the lowest of the audio spectrum.

The hyper-responsive woofer of the Yamaha HS 5 greatly improves sound definition in the bass while providing a fair, precise and natural response. The Yamaha HS 5 and the Yamaha HS series speakers are equipped with quality magnets and numerous carefully sorted components to provide precise, refined and well-balanced bass sound.

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In addition, you can also consult our test guide on the Adam S3V speaker . Through this guide you can discover the complete overview of the speaker, its components, its connections, its frequency response, its sound quality, the dedicated S-Control software for this speaker, as well as its technical characteristics and our opinion on its quality in general.

Yamaha HS 5 speaker: is it designed for studio monitoring?

The Yamaha HS 5 is a monitoring speaker that can be used for mixing and sound equalization as well as for music production purposes in the studio. Not only does the HS 5 provide sound quality far superior to that of home hi-fi speakers, even active ones, but also offers precise, clear and very high resolution sound.

A rich, dynamic and immersive listening experience

Like other Yamaha HS series powered speakers, the Yamaha HS 5 is designed to , accurate , high-definition sound with a straight response . Not only does the Yamaha HS 5 guarantee a dynamic, richer and at the same time immersive listening experience, but also allows the sound to be mixed and equalized as correctly as possible .

Greater ease of implementation in any indoor acoustic environment

The Yamaha HS 5 benefits from a specific design to easily acclimatize to any indoor acoustic environment.

Its “ Room Control ” setting helps reduce noise pollution due to unpleasant bass when you have to place the speakers a little closer to the walls. HIGH TRIM setting , this filter purifies the sound in order to obtain a fair, precise and correct response in the treble.

A balanced, homogeneous and correct response in treble and bass

Equipped respectively with a dome tweeter and an individually amplified woofer for each, the pair of Yamaha HS 5 speakers provide clear and powerful with more pronounced highs . Its response remains balanced, homogeneous and correct throughout its frequency range (low, medium, mid-high and high).

Yamaha HS 5 speaker
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Ingenious design for precise, pure and crisp sound reproduction

With the Yamaha HS 5, the DJ, sound engineer and any audio professional will be able to focus on the essentials. Indeed, this bi-amplified speaker has a specific design in terms of its cabinet. Which greatly improves the suppression of unwanted resonances.

This design ingenuity also contributes much more effectively to optimizing the sound quality of a musical production and that of an audio mixing.

Yamaha HS 5: a sophisticated but demanding speaker

The Yamaha HS 5 being a specific bi-amplified speaker also has requirements which should in no case be neglected. The handling and maintenance of the HS 5, as with all Yamaha speakers in the HS series, respect very strict conditions.

Therefore, you should always take care to keep the Yamaha HS 5 away from a television , a radio , audiovisual equipment , a Smartphone , a tablet or any other electronic device. These devices could in fact cause interference that could affect the proper functioning of this monitoring speaker.

The Yamaha HS 5 must also be protected from dust, excessive vibrations and extreme thermal conditions. This precaution is essential to take to protect the device from the risk of panel deformation and damage to its components.

Temperature variations are the factors most likely to damage the components of the Yamaha HS 5. When the HS5 has to be moved or when the air conditioning is temporarily turned off inside, condensation may form on the inside. inside the device.

To remedy this, it is best to leave the Yamaha HS 5 off for several hours before using it. Like any other sophisticated bi-amplified speaker from Yamaha, the HS 5 also remains extremely sensitive to humidity.

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The HS 5 is exclusively dedicated to indoor use . Care must be taken to place it in an appropriate location offering temperature conditions conducive to its proper functioning. Likewise, Yamaha HS 5 speakers must be placed vertically and not on the side or oriented downwards.

You should also avoid touching or letting objects reach the speaker diaphragms. It is completely normal for air to come out of each woofer of the Yamaha HS 5. This phenomenon occurs in particular during sound reproduction at high volume of an audio track with a predominance of frequencies which are at the bottom of the spectrum .

Other guide : Neumann M147 microphone test and review . Discover through this guide the overview of this microphone, its cardioid directivity, its areas of application, its electrical and technical characteristics, as well as its sound quality and our opinion on this studio microphone.

Yamaha HS 5: zoom on the features and configuration options

All switches and connectors on the Yamaha HS 5 are on the rear:

Yamaha HS 5 speaker inputs and response control

  • LEVEL control : This controls the output level of the Yamaha HS 5. Adjusted to the 12 o'clock position, this setting optimizes the speaker to operate at a nominal input level of +4 dB.
  • INPUT connectors (1 and 2): The HS 5 provides two input connectors: one to connect a balanced XLR connector to the speaker and the other to directly connect a balanced TRS jack plug. These connectors receive the input signal to the speaker. These connectors cannot be used simultaneously. We must therefore always be careful to use only one connector at a time.
  • ROOM CONTROL ” switch: This allows you to adjust the low frequency response of the Yamaha HS 5. This switch can be used to compensate for possible bass saturation due to certain location constraints. This is the case when you are forced to place the speakers close to the walls of a small audio recording room.
Yamaha HS 5 monitoring speaker
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To obtain a linear frequency response curve in the low end of the spectrum, just set the switch to position [0]. If you wish to attenuate by 2 dB the low frequencies which are in a range below 500 Hz , you will readjust the switch to the [-2 dB ] position.

It can be reduced further by adjusting it to [ -4 dB ]. This will have the effect of attenuating bass below 500 Hz -4 dB .

  • HIGH TRIM switch : This allows you to adjust and improve the response of the Yamaha HS 5 in the high frequencies. We can then set the switch to position [0] to obtain a linear frequency response. When set to [+2 dB ], the switch increases the range above 2 Hz . When set to [ -2 dB ], the switch attenuates the frequency range above 2 Hz .
  • Power switch: This button turns the Yamaha HS 5 on and off. You will flip the power switch to the right to turn the speaker on. In this case, the LED indicator integrated into the Yamaha logo on the front panel will light up. To turn the speaker off, simply turn this button to the left. The indicator light integrated into the front logo will turn off immediately.
  • AC/IN connector : It allows you to connect the Yamaha HS 5 speaker to the dedicated power cable provided by the manufacturer.

Setting up the Yamaha HS 5 to connect to the HS8S subwoofer

The addition of a Yamaha HS8S type subwoofer is possible to enhance the sound quality of the bass which will come out of the HS 5's respective Bass speakers. It will thus be possible to increase the sound definition of the bass by adding a subwoofer to its speaker system in order to and better quality audio mix or

The subwoofer should normally be placed on the floor in the middle of the two Yamaha HS 5 speakers. Since this subwoofer produces bass below 200 Hz , it is therefore relatively non-directional. Which means that it can be perfectly placed at an angle where the sound will be better perceived in the bass. For the rest, we'll just have to trust our ears.

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In order to make this connection, you will need 4 cables: two cables to connect the subwoofer to an audio interface and two other cables to connect the subwoofer to the main speakers (left and right) of the Yamaha HS 5.

To connect all types of audio sources or interfaces to the HS8S, we recommend the use of two balanced TRS input jack cables or two balanced XLR cables. To connect the subwoofer to the two Yamaha HS 5 speakers (left and right), proceed as follows:

We start by connecting the end of the first XLR cable to the left output of the subwoofer and the other to the XLR input of the first Yamaha HS 5 speaker. We will do the same to connect the subwoofer to the HS 5 speaker of Yamaha on the right.

First, we connect the end of the second cable to the right output of the subwoofer and the other end to the XLR input of the second Yamaha HS 5. The Stereo connection of the subwoofer to the pairs of HS 5 speakers in using two 6.35 mm TRS jack cables at 3 points (left and right) obeys exactly the same principle.

First, we connect the end of the first balanced jack cable to the left output of the subwoofer and the other end to the TRS jack input of the first Yamaha HS 5 speaker. Then, we connect the end of the second cable to the right output of the subwoofer and the other end to the TRS jack input of the second Yamaha HS 5 speaker.

Settings to make the Yamaha HS 5 work optimally with the HS8S

Once the connection is made, the first two cables from the audio interface to the subwoofer input and the second two from the subwoofer output to the respective inputs of the two Yamaha HS 5 speakers, we can begin the adjustments which follow:

  • Adjust the volume of the sound source (audio interface or device) to its minimum level.
  • Adjust the Yamaha HS 5 “LEVEL” control to the 12 o’clock position.
  • Position the setting of the two switches “ROOM CONTROL” and “HIGH TRIM” of the HS 5 to 0 dB.
  • Set the HS8S’s “LEVEL” control to [0], this subwoofer’s “HIGH CUT” and “LOW CUT” controls to the 12 o’clock position, and its “LOW CUT” switch to “OFF.”
  • Power on the devices, starting with the audio source device, then the HS8S subwoofer and finally the Yamaha HS 5 speakers. To power on, proceed in the reverse order. First turn off the Yamaha HS 5 speakers, then the subwoofer and finally the source audio device or interface.
  • Play the source audio track on the main device (or audio interface). We increase the volume gradually and smoothly via the dedicated controllers of the interface or the source audio device. It is absolutely necessary to avoid applying an excessively strong signal to the system in order to protect the Yamaha HS 5 and its audio equipment.
  • Set the “LEVEL” level controller on the HS8S subwoofer between the 10 o’clock and 12 o’clock position, and turn the “LOW CUT” switch on by turning it to “ON”.
  • Adjust the listening volume to a level at which you can monitor the sound comfortably without risk of damage to the hearing system.
Yamaha HS 5 studio monitor
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HS8S features

The HS8S is equipped with specific connectors , switches and to make it work optimally with the Yamaha HS 5 and all Yamaha HS series speakers. These characteristics differentiate it from entry-level or mid-range subwoofer types.

  1. INPUT connectors (L/R): These connectors receive the signal at the subwoofer input. Balanced XLR and balanced jack connectors are available on the rear of the amplified subwoofer for the L and R inputs. The signals supplied to the Left and Right inputs are combined internally to output Dolby Surround Stereo, therefore high definition.
  2. OUTPUT connectors (L/R): These connect the HS8S amplified subwoofer to the two speakers of the Yamaha HS 5. The signals perceived at the L and R input are transmitted via the “OUTPUT” connectors (L and R). You can use the “LOW CUT” switch and the “LOW CUT” control to gradually adjust the bass sound reproduction.
  3. LOW CUT switch : Once activated, this switch attenuates the bass before outputting to the output (L and R) at the frequency defined via the “LOW CUT” control. You can also adjust the attenuation cutoff frequency at the low frequency level using the “LOW CUT” control.
  4. LOW CUT ” control: This control allows you to adjust the bass cutoff frequency in a range between 80 Hz and 120 Hz when the “LOW CUT” switch is activated.
  5. HIGH CUT control : This adjusts the treble cutoff frequency at the subwoofer output over a range between 80 Hz and 120 Hz.
  6. PHASE ” switch: This switch serves as a phase inverter for the output of the amplified subwoofer. Being set to [NORM] by default, this switch can sometimes be set to [REV.] to improve low frequency response. This will depend on your audio system setup and the type of devices or audio equipment you plan to use with the powered subwoofer.
  7. LEVEL ” control: This control adjusts the output level of the active subwoofer.
  8. Power switch: This is used to turn the powered subwoofer on or off. We will flip the subwoofer switch to the right to turn it on. The logo LED on the front panel will illuminate to indicate that the active subwoofer is operational.
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To turn off the powered subwoofer, flip the switch to the left. The LED indicator anchored to the logo will go out immediately to signal that the device has indeed been turned off.

  • AC/IN ” connector: This connector allows you to connect the power cable dedicated for this purpose.

Common cables for connecting the Yamaha HS5 to various audio sources

The Yamaha HS 5 receives three types of connectors specific to its Input. These connectors allow both symmetrical and asymmetrical connections .

  • XLR connectors: XLR cables are widely used in the market for sound equipment and that of audio installations in professional recording studios. The XLR-3-31 connectors fitted to the Yamaha HS 5 and the Yamaha HS series speakers are primarily intended for balanced connections.
  • Jack connectors: Unlike the XLR-3-31 connectors integrated into the Yamaha HS 5, the jack connectors that equip it can be used for symmetrical connections as well as for asymmetrical connections. To connect the HS 5 or any other Yamaha HS series speaker to an audio device by balanced connection using a jack, you should use 6.35 mm TRS 3-point jack cables. The design of the 3-point symmetrical TRS jack connectors (tip, ring and sheath) is also similar to that of classic Stereo Jack connectors. To make asymmetrical connections, however, you will need to connect cables with standard 6.35 mm mono jack connectors (two-point TS) to the respective jack inputs of the Yamaha HS 5 speakers.
  • RCA cables: Devices that only have Rca connectors at the output (such as CD players, DVD players, video game consoles, or old VCRs) can be connected to the Yamaha HS 5 via a RCA/Jack adapter. This type of cable differs from an RGB SCART cable since the latter does not need a device or an adapter to connect a SCART output to a device with HDMI ports. A conversion cable with an Rca plug at one end and a 2-pin TS jack plug at the other allows you to make an asymmetrical connection to the jack input of a Yamaha HS 5 speaker.

Difference between balanced and unbalanced connections

Balanced connections are effective in suppressing noise and interference caused by the presence of other external devices. This type of symmetrical connections also makes it possible to use longer cables without causing a ground loop phenomenon also called Crossover.

Yamaha HS 5 studio monitor
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Asymmetrical connections are often more practical for connecting an electronic musical instrument or a preamplifier to the Yamaha HS 5. As long as the length of the connection cords does not exceed two meters, asymmetrical wiring should not pose any problem.

It is necessary to acquire the right cables to connect Yamaha HS 5 type monitoring speakers to an audio interface and any other sound source equipment. The short, high-quality cables enable optimal asymmetrical connection free from interference noise.

So, when you are forced to connect the Yamaha HS 5 to an audio source that only has an unbalanced output, it is better to use the shortest possible unbalanced cables. The longer the unbalanced cable, the more likely there will be noise intrusion which will alter the audio quality of the mix. Balanced cables, for their part, are more resistant to parasitic noise .

Connecting the Yamaha HS 5 to an audio interface

The connectors of the Yamaha HS 5 allow the Input to accommodate either balanced TRS jack cables or unbalanced TS jack cables to connect it to a DAW or an audio interface.

To do this, you must directly connect the output connectors of the aux audio interface to each L and R (Left & Right) input jack of the pair of Yamaha HS 5 speakers. We recommend the use of jack cables 3-point TRS for balanced connection or use 2-point TS jack cables for unbalanced connection.

Connecting the Yamaha HS 5 to a Mixer

The Yamaha HS 5 can be connected to a mixing desk either by symmetrical or asymmetrical connection. To do this, we will directly connect the “ Monitor Out ” outputs of the mixer (not to be confused with the output for studio headphones ) to the input jacks (L and R) of the Yamaha HS 5 speakers.

From then on, it will be possible to control the output level of the audio signal via the monitor independently of the sound level at the main bus of the mixing console. The use of XLR cables will be more appropriate to connect the Yamaha HS 5 by balanced connection to a mixing desk.

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If the mixing console only has an unbalanced output, you can always resort to the use of 2-point TS jack cables while taking care to shorten the cables as much as possible. The length of the cables should therefore not exceed 1.5 m to ensure perfect transmission of the audio signal to the Left and Right inputs of the Yamaha HS 5 speakers.

Connecting the Yamaha HS 5 to a synthesizer

Connecting the Yamaha HS 5 to a synthesizer is simple to operate since it only requires two 2-point TS jack cables, therefore unbalanced. We will only connect the Left and Right outputs of the instrument to the L and R inputs for the Yamaha HS 5 speaker jacks.

Zoom on the sound quality of the Yamaha HS 5 speaker

sound level control needs at the output of a variety of audio sources ranging from a simple dynamic moving coil microphone with cardioid polar pattern (such as the Sennheiser E835 mic ) to a sophisticated DAW interface through electronic musical instruments, preamplifiers and mixers (digital or analog).

Whatever the configuration to be made depending on the audio equipment at its disposal and taking into account the dimensions of the room in which the speakers must be installed, a certain number of aspects must be taken into consideration in order to obtainclean sound reproduction and optimal quality with the Yamaha HS 5.

The 4 points to respect to properly arrange the Yamaha HS 5 in relation to the configuration of your studio room

  • Locate the speakers at a minimum distance of 1.5 m from walls and corners:

The Yamaha HS 5 differs from a wall-mounted speaker (like the Neumann KH 120 ) and any other type of enclosed speaker, because it cannot be hung on the wall or in the corner of a room. To get the most out of the sound quality of Yamaha HS 5 type audio speakers, they should ideally be located 1.5m away from the walls and corners of your studio room, tilted at an angle of about 60 degrees inward .

Yamaha HS 5 white
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If the room does not have enough space to allow the placement of the speakers at a sufficient distance, the “ROOM CONTROL” commands can be used. In particular to compensate for excessive bass and to bring out the sounds of each speaker that makes up the Yamaha HS 5 speaker unit at a power acceptable to the ears.

The closer we are forced to place the Yamaha HS 5 speakers to walls and corners, the greater the compensation will be (from 0 to -2 dB , from -2 to -4 dB ). For the rest, we will mainly have to trust our ears. All in such a way as to be able to properly balance the volume and in order to obtain the most natural sound reproduction with a correct response.

  • Place the left and right speakers symmetrically:

The left and right Yamaha HS 5 speakers should be placed equidistant from each other and also from the walls and corners of the room. In particular so as to be able to form a closed angle of 60 degrees . Their arrangement must be as symmetrical as possible in relation to the room.

  • Position yourself in the center at an equal distance from the two speakers so as to form an equilateral triangle:

To obtain a balanced and precise sound reproduction, you must place yourself in the center facing the two Yamaha HS 5 speakers and stand at an equal distance from their location. Systematically, we will form an equilateral triangle vertex.

A perfect triangle which results from three 60° angles formed by the two equidistant speakers and by your central location more or less away from these baffles, but always equidistant.

  • Make sure the tweeters are aligned at ear height:

Unlike bass, sound frequencies at the top of the spectrum are directional . In order to have the most precise sound level control possible in the treble, it is best to place the Yamaha HS 5 speakers so that the tweeters are aligned at ear height when you sit in listening position.

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The 5 adjustment steps to get the most out of the sound quality of the Yamaha HS 5

Once the Yamaha HS 5 has been arranged according to the pre-indicated configurations, it is time to begin the following adjustments to make the most of its audio performance.

  1. Adjust the sound volume of audio equipment (instruments, audio interface, mixing desk, etc.) to operate with the Yamaha HS 5 speaker to the minimum level.
  2. Set the Yamaha HS 5's LEVEL control to the 12 o'clock position, and switch both “ROOM CONTROL” and “HIGH TRIM” settings to 0 dB.
  3. Start by turning on the audio sources connected to the Yamaha HS 5 before activating the speakers. When turning off the power (i.e. when turning off the devices), we proceed in the opposite way. We first start by turning off the Yamaha HS 5 speakers, and then the audio source devices connected to them.
  4. Start playing the audio track to be processed from the source equipment (as an example), then increase the volume gradually, smoothly. Above all, we must avoid suddenly applying an excessively heavy signal to the system at the risk of damaging the pairs of Yamaha HS 5 speakers. We must always ensure that the speakers are not subjected to the slightest acoustic pressure, which of elsewhere at a certain level or threshold Spl (“Sound pressure level” measured in decibels) will risk damaging them.
  5. Adjust the listening volume in monitoring to a level that is comfortable for your ears and therefore without risk of causing damage to your hearing system. You can always configure the “ROOM CONTROL” and “HIGH TRIM” functions in order to obtain correct sound reproduction as naturally as possible.

The technical characteristics of the Yamaha HS 5 speaker

  • Model: HS5
  • Type: 2-way amplified and bi-amplified speaker
  • Brand: Yamaha
  • Surround configuration: 2.0
  • Crossover frequency: 2 kHz
  • Overall frequency response: -3 dB ( 74 Hz-24 kHz ); -10 dB ( 54 Hz – 30 kHz )
  • Speaker components: 5″ cone (LF: Low Frequencies), 1″ dome (HF: High Frequencies)
  • Speaker: Bass-reflex type
  • Material: MDF
  • RMS power: 70 W dynamic power (total); LF ( 45 Watts RMS ; 4 Ohms ); HF ( 25 Watts RMS ; 8 Ohms )
  • Input sensitivity/impedance: -10 dBu / 10 kΩ
  • Input connectors (parallel): (1) balanced XLR-3-31 type, (2) balanced 1/4" TRS jack type 3-pin
  • Controls: Level control (+4 dB , center point), EQ: “HIGH TRIM” switch ( +/-2 dB at high frequency), Room control switch ( 0/-2/-4 dB at 500 Hz )
  • Indicator: on (white LED incorporated into the front panel logo)
  • Electrical consumption power (in Watt): 45 Watts
  • Dimensions: 170 x 285 x 222 mm
  • Weight: 5.3 kg ≈ 11.7 lbs
Yamaha HS 5 Monitor
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Our Overall Opinion

Overall Sound Quality

4,8 /5
4.8/5

Value for money

4,5 /5
4.5/5

Global mark

4,7 /5
4.7/5

Our opinion on the Yamaha HS 5 speaker

The Yamaha HS 5 is a pair of powered speakers, but which differs from standard active speakers. Dedicated to studio professionals, sound engineers and DJs, the Yamaha HS 5 allows you to mix and process sound as cleanly as possible, focusing increasingly on sound details in both low and mid frequencies. than in the treble.

Most ordinary active Hi-Fi speakers, even powerful and efficient, are dedicated to audiophiles and generally to passive listening. These types of speakers exaggerately accentuate the bass and highs to easily deceive the listener.

However, it is a shame to note that most of the acoustic speakers available at the entry level (Bluetooth speaker, Titan-type unamplified portable sound speaker, sound bar, woofer, subwoofer, Focal-type floor-standing speaker, acoustic speaker, speakers for PC and entry-level home cinema speakers) only provide a flattering sound reproduction which is sorely lacking in accuracy both in the low and high end of the spectrum as well as in the mid-high range.

And likewise, the Yamaha HS 5 differs from passive speakers which require the support of an external power amplifier to boost the audio signal.

This is not the case with the HS 5 which, for its part, is intended for active listening, particularly much more demanding in terms of precision, accuracy, detail and sound clarity. Aside from its specific design, the Yamaha HS 5 has two filtering functions: “ROOM CONTROL” and “HIGH TRIM”.

These help remove reverbs, attenuate excessive bass and provide natural sound clarity at high volumes. Offering a wider choice of connectors, the Yamaha HS 5, essentially dedicated to symmetrical connection, gives the possibility of an asymmetrical connection.

This makes it fully compatible with audio devices that only have unbalanced outputs. The HS 5 can be connected to a multitude of audio sources ranging from a dynamic microphone equipped with a simple unbalanced jack to a sophisticated DAW, including electric guitar, synthesizer, CD/DVD player, and mix table.

The possibility of adding a Yamaha HS8S subwoofer from the same series makes it a pair of speakers of choice to guarantee very high quality sound level control. The Yamaha HS 5, being configurable with a large number of audio equipment, represents a safe bet for any studio project or even the purchase of additional “in-room” sound equipment.

Its purchase at the best quality-price ratio can only be ingenious to be used for ambitious and large-scale audio projects. However, if you want to save money, you can always turn to purchasing Rcf monitoring speakers. Moreover, this brand is as well known as Yamaha since it is now positioned as a leader in the field of professional audio equipment. At an advantageous quality/price ratio in fact, Rcf also offers speakers, DSPs (digital signal processors) and various other solutions for sound engineering professionals.

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